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・ Sara Blengsli Kværnø
・ Sara Blicavs
・ Sara Blizzard
・ Sara Blomfield
・ Sara Blædel
・ Sara Bonifacio
・ Sara Bossio
・ Sara Botsford
・ Sara Braga Simões
・ Sara Branham Matthews
・ Sara Braverman
・ Sara Bronfman
・ Sara Bronin
・ Sara Brooks
・ Sara C. Bisel
Sara Cahier
・ Sara Caldwell
・ Sara Camara
・ Sara Campbell
・ Sara Canning
・ Sara Carbonero
・ Sara Carlson
・ Sara Carlsson
・ Sara Carmo
・ Sara Carracelas García
・ Sara Carrigan
・ Sara Carter
・ Sara Carvalho
・ Sara Caswell
・ Sara Chacón Zúñiga


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Sara Cahier : ウィキペディア英語版
Sara Cahier

Sara Cahier (8 January 187015 April 1951)〔(Google groups ). Retrieved 1 August 2014〕〔 was an American-born mezzo-soprano or contralto singer in opera and lieder, who sang mainly in Europe, later acquiring Swedish citizenship. She was associated with Gustav Mahler, and was one the soloists in the posthumous premiere of his ''Das Lied von der Erde'' in 1911. She also sang at the Metropolitan Opera, New York, and was a teacher at the Curtis Institute of Music in Philadelphia. Her students included Marian Anderson.
==Career==
She was born as Sara Jane Layton Walker in Nashville, Tennessee.〔("Mme. Sara Cahier", ''Toledo Blade'', 16 April 1951 ). Retrieved 1 August 2014〕 She studied in Indianapolis, and in Paris under Jean de Reszke, and made her debut as Orpheus in ''Orpheus and Eurydice'' in Nice in 1904. Other teachers included Gustav Walter,〔 Victor Capoul and Amalie Joachim.
Her first husband was Morris Black. In 1905 she married a Swede, the impresario Charles Cahier,〔 after which she was generally billed as "Madame Charles Cahier", or "Sara Charles-Cahier".〔(Encyclopedia.com ). Retrieved 1 August 2014〕
She was active in Vienna, joining the Hofoper in 1907, and Munich, often singing under Gustav Mahler's directorship in roles such as Amneris, Carmen, Delilah, Fidès, Ortrud, and Santuzza.
She and her fellow American the tenor William Miller were chosen by Bruno Walter to premiere, posthumously, Mahler's ''Das Lied von der Erde'' in Munich in November 1911.〔 She also sang in the New York premiere of the work in 1922, with tenor Orville Harrold, under conductor Artur Bodanzky.
She sang in France, Italy, England and Germany. Other noted conductors under whom she sang included Edvard Grieg and Richard Strauss.〔
She sang at the Metropolitan Opera in New York from 1912 to 1914, making her debut there as Azucena in ''Il trovatore''.〔 Other appearances there included Fricka in ''Die Walküre'', alongside Olive Fremstad and Margaret Matzenauer.〔(''The New York Times'', 15 December 1912 ). Retrieved 1 August 2014〕
She enjoyed great success in Stockholm from 1915 to 1917, during which time she acquired Swedish citizenship. After retirement, she became a teacher and vocal coach, at the Curtis Institute of Music in Philadelphia.〔 Her students, there and elsewhere, included Marian Anderson, Göta Ljungberg and Rosette Anday. It was on her advice that Lauritz Melchior changed from baritone to heldentenor.〔
Sara Cahier died in Manhattan Beach, California, in April 1951.〔〔

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